Will is on a San Francisco trolley with his friend Andy (Al Madrigal) and Andy's two kids. Will gets off to flirt with a woman named Dakota (Leslie Bibb) who is going to a single parents' support group meeting. He lies to her, saying he is a single parent of a son named Jonah who has leukemia. She becomes attracted to him and asks to set up a play date between her daughters and his son.
The Chicago Code is an American crime dramatelevision series created by Shawn Ryan that aired on Fox in the United States. The series was filmed in Chicago, Illinois, originally airing from February 7 to May 23, 2011, with Fox announcing cancellation on May 10, 2011.
The series follows officers of the Chicago Police Department as they fight crime on the streets and try to expose political corruption within the city. Veteran Chicago Police Detective Jarek Wysocki leads the special unit fighting against the corruption. Wysocki was assigned to head the special unit by his boss, the newly appointed first-female Chicago Police Superintendent and his one-time partner, Teresa Colvin. Also on the unit is Caleb Evers, a young detective and Wysocki's latest partner. During their investigations the detectives often encounter police officers Vonda Wysocki (Jarek's niece) and Vonda's partner Isaac Joiner. Undercover officer Chris Collier, who goes by the name Liam Hennessey while undercover, works the streets as he gets information on Hugh Killian and the Irish mob and their connection to the corruption. Believed to be source of the corruption is Alderman Ronin Gibbons, a powerful and influential politician in Chicago.
Revolution is the title of the tenth album by The Dubliners. It was their second to be produced by Phil Coulter. This was a landmark in their career. Their sound had developed and Coulter, as well as playing piano on the record, had brought in other instrumentalists as well. The album featured "Scorn Not His Simplicity", a song that Coulter had composed about his own son, who had Down's syndrome, as well as a poem penned by Luke Kelly entitled "For What Died The Sons Of Róisín?".
Revolution is a software development environment/multimedia authoring software in the tradition of HyperCard and is based on the MetaCard engine. Its primary focus is on providing a relatively accessible development tool set and scripting language that enable the creation of software programs that run across multiple platforms with little or no code modifications. The Integrated Development Environment (IDE) included with Revolution is built partly on the models created by Bill Atkinson and the original HyperCard team at Apple and subsequently followed by many other software development products, such as Microsoft's Visual Basic. Revolution includes an English language-like scripting language called Transcript, a full programming language superset of the HyperCard's scripting language, HyperTalk.
The higher-grade versions (see Versions, below), allow applications to be compiled to run on more than one platform, including Macintosh (Classic or Mac OS 9, and Mac OS X), Windows and Unix-like systems including Linux. It can also import HyperCard stacks, which require little or no modification unless they use external functions, which generally do not work in Revolution.
The Revolution was a newspaper established by women's rights activists Susan B. Anthony and Elizabeth Cady Stanton in New York City. It was published weekly between January 8, 1868 and February 17, 1872. With a combative style that matched its name, it primarily focused on women's rights, especially suffrage for women. It also covered other topics, however, such as politics, the labor movement and finance. Anthony managed the business aspects of the paper while Stanton was co-editor along with Parker Pillsbury, an abolitionist and a supporter of women's rights.
Initial funding was provided by George Francis Train, a controversial businessman who supported women's rights but alienated many activists with his views on politics and race. The funding that he arranged was enough to start the newspaper but not enough to sustain it. After twenty-nine months, mounting debts forced Anthony to transfer the paper to Laura Curtis Bullard, a wealthy women's rights activist who gave it a less radical tone. The paper published its last issue less than two years later.